Tag: churches

Fifty Steps to the Entrance of First Baptist Church

The First Baptist Church – Lexington, Ky.

Across Main Street from Rupp Arena, fifty stone steps climb over five landings to reach the sanctuary entrance of the circa 1913 First Baptist Church. The impressive structure is a Lexington landmark in part because of its prominent Main Street location and in part because of its architectural grandeur. The massive clock tower and red tile roof mark this iconic location.

Three former Baptist churches occupied the site, as did Lexington’s earliest burying ground. In fact, it was here that King Solomon buried the dead from the 1833 cholera epidemic. A decade and a half later, most of the bodies were relocated to the newly organized Lexington Cemetery.

Two of the old Baptist churches burned on the site, while the third was simply outgrown.  When the extant structure was erected at a cost of approximately $125,000, it was built of Bedford limestone (Indiana) in the Collegiate Gothic style. Though the style is not often displayed in Lexington, it is commonly seen at the Ivy Leagues schools and at universities across the country.

First Baptist Church;
ca. 1975 (Source: NRHP)

It is an impressive architectural style, made ecclesiastical at First Baptist through the repeated use of the quatrefoil, cross and other religious symbols in the exterior’s decorative stonework.

Entrance to the sanctuary is through a deeply recessed bay which had been closed in recent years because of structural concerns. Work on maintaining First Baptist has been a struggle as what was once one of the South’s largest Baptist congregations has drastically dwindled in number. With limited attendance comes limited tithe and offering, and the church building suffers.

All is not lost, however, as a handful of congregations now pool resources to call the First Baptist Church home. Each attempts to do its part in maintaining this magnificent piece of history.

Originally meeting in the homes of members as the Town Fork (or Town Branch) Baptist Church, it associated with the Elkhorn Association on August 15, 1786. Lewis Craig (brother to Elijah Craig) was involved in the establishment of Town Branch giving to First Baptist a hand on the legacy of the Traveling Church.

Rev. John Gano was called in 1789 to the newly erected meetinghouse on the site. He had been a chaplain in the Continental Army having served throughout the long winter at Valley Forge.

A division arose in the church in 1826 when the influence of Alexander Campbell and the Restoration Movement brought Dr. James Fishback to introduce a resolution to change the church from Baptist to “Church of Christ.” The resolution was lost, so Fishback and his supporters departed First Baptist to organize the “Church of Christ on Mill Street” of which Central Christian Church is the eventual, albeit indirect descendent.

Inside, the first time visitor is overcome by the enormity of the cruciform shaped sanctuary. Anchored at front by pulpit and a choir balcony that also features an impressive pipe organ, the 1500-seat sanctuary features three additional balconies so that there is one on each wall. The pews and brass cluster chandeliers, all original.

It is, however, the “wide-grained chestnut timberwork over-arching the auditorium” that takes one’s breath away. Corbels at the base of each three-foot thick rib feature “intricately carved angels” while “horizontal bands of acanthus, leaves and acorns” adorn panelling above the pulpit.

And in case one is not sufficiently taken aback, five large stain-glass windows adorn. The space is one most Holy, Holy, Holy.

I visited First Baptist during a concert by the Lexington Area Music Alliance, LAMA. The concert was profiled yesterday and is available by clicking here.


Additional photographs of First Baptist Church and the LAMA concert are available on flickr.

Sources: Baptist History Homepage; Mickey Anders; NRHP (Historic Western Suburb); Historic Western Suburb NA; Tom Eblen

Art Abounds at Central Christian Church

This is part 2 in a two part series on Central Christian Church. The first installment discussed the building and the church itself with some interesting tidbits. An earlier post on this site commented on the prayer garden at the church.

“The Good Shepherd” Stained Glass Window – Central Christian Church – Lexington, Ky.

No longer visible from the sanctuary after a post-fire remodeling of the historic sanctuary of Central Christian Church in downtown Lexington, “The Good Shepherd” stained glass window is alit and visible in the evenings on Martin Luther King Blvd. and from a mechanical room on the church’s interior.

A platform in the mechanical room brings you nearly to the face of Jesus, carrying the lost sheep to safety. The powerful art and imagery at Central Christian Church are reminders of their faith, designed to deepen spiritual understanding. A publication, Symbols in Our Journey of Faith, examines the art in this impressive church, as well as its meaning.

Doorways depicting Moses and David

After ascending the stairs along Short Street, one encounters the hand carved doors made of American Red Oak. Installed in the spring of 1980, each of the six doors depict a different figure in the Christian (Disciples of Christ) faith: Moses, David, the prophet Micah, Jesus of Nazareth, St. Paul the Apostle, and Barton Stone. Each pair of the highly symbolic doors close beneath a tympanum complete with more Judeo-Christian symbology.

Another entry to the church is through the prayer garden – a common feature found in churches as reminders of the first garden – “Eden, when God and humankind lived together in a relationship of absolute trust and obedience.” The prayer garden was added during renovations to the church in the 1950s.

Upon entering the sanctuary at Central Christian Church, one is immediately taken by the most impressive collection of stained glass windows. Each is described in Symbols, but I will highlight a few. In the rear of the church balcony is the Empty Tomb depicting the Easter scene of the angel in white advising Mary Magdalene, Mary the mother of James, and Salome of Christ having been raised while the three wooden crosses of Golgotha are depicted in the window’s upper left.

Behind the chancel is the most impressive of the windows: God at Work in the World. The upper portion consists of a rose window with a central depiction of the hand of God under a crown with the words from Genesis, “In the beginning, God.” Each petal in the rose window are representative of God’s work in the world. Below the rose window, Christ stands with outstretched hands – “and became flesh.” Several Biblical scenes surround the Christ.

Many other stained glass windows frame the sanctuary: Gospel windows, The Three Graces (faith, hope, charity) window, and several Maltese crosses included.

Centrally located behind the communion table is an ornate Celtic Cross dedicated in 1969. It is a reproduction of the St. John’s Cross at the Iona Abbey in Iona, Scotland. Handcrafted in Scotland, the cross itself weighs nearly 100 pounds. Ancient symbolism are engraved into both sides of the cross, though weight and display options limit viewing to only the one side. The Celtic Cross is typically associated with the Scottish Presbyterian Church, of which many early Disciples of Christ leaders were first associated.

Regardless of your faith preference, one must stand in awe of the beautiful sanctuary and structure of Central Christian Church. Like an onion, each layer of meaning and symbolism can be peeled away to reveal more meaning and symbolism in the church’s journey of faith.

More photographs of Central Christian Church can be found on flickr.

Sources: Central Christian Church (DoC), Symbols in Our Journey of Faith.

Oldest Disciples of Christ Church is Historic Central Christian Church in Lexington

This is part 1 in a two part series on Central Christian Church. This installment discusses the building and the church itself with some interesting tidbits, while Part 2 examines the great art found at Central. An earlier post on this site commented on the prayer garden at the church.

Gathered on the Steps of Central Christian Church – Lexington, Ky.

In 1891, the Main Street Christian Church had an enrollment of 914. Too many for its space. A new location was found at the corner of Walnut and Short streets on the site of the derelict Masonic temple. The site was bought for $12,100 and the temple razed. At 5 p.m. on August 7, 1893, the cornerstone for the renamed Central Christian Church was laid atop the foundation of the old Masonic temple.

Central Christian Church, ca. 1898. Source: NRHP.

On July 22, 1894, the new church, constructed in the Richardsonian Romanesque style, was dedicated. The photo, at right, is the earliest known photo of Central Christian Church. Taken in 1898, the photo shows the building’s original entrance with an “elegant concrete walks and steps leading to and around the building [all] in bold relief.” The paired steps along both Walnut and Short stand in contrast to the single set of steps now along only Short Street (the change being made due to a 1930s fire, discussed below).

According to the National Register Application, Central is Lexington’s only major remaining Richardsonian Romanesque, describing the old courthouse as being stylistically provincial.

A Growing Church. Around 1911, the church began to find their space inadequate and enlargement was discussed. An education wing was formally dedicated in November 1915.

In 1933, a fire in the church caused significant damage to the sanctuary. The decision was made to reconfigure it to its present layout (save the chancel which was later enlarged); the new sanctuary was dedicated in September 1934. In the time between the fire and the dedication, the church found refuge for its weekly services at the Kentucky Theatre.

Central Christian Church, ca. 1952. Source; NRHP.

Another expansion in 1950 saw the demolition of the previously mentioned education wing in favor of an enlarge education wing as well as another sanctuary remodel and the construction of the Chapel of Memories. During this remodel, the congregation met in the auditorium at the old Henry Clay High School on East Main Street.

In 1954, “My Father’s Garden” was dedicated. It had been designed by Central’s Mrs. Wilson Case Lawwill with Louis Hillenmeyer serving as consulting landscape architect.

A final addition occurred in the early 2000s after Central purchased the old municipal building at the eastern end of Barr Street. Though once a beautiful structure, a flat façade added in the 1960s or 70s eliminated all beauty. The decision was made to raze the building and in its place, a new fellowship, youth and children center, and additional parking were made available for the growing church. It was a wise decision (particularly when compared to the alternative of abandoning the downtown site), and the church has since grown.

Sanctuary of Central Christian Church – Lexington, Ky.

Interesting Tales. A review of the old newspaper archives is always revealing, and a few stories related to Central Christian Church are of note. In 1902, “Patrolman James Dodd, while searching for a burglar, fell into the baptistry at Central Christian Church.” In 1905, “Central … votes to try individual communion cups for 30 days.” (They still use them.) In 1918, “Fifty stars on flag unveiled at Central Christian Church yesterday.” (I don’t understand this as we didn’t get a fiftieth (or forty-ninth) state until 1959. Ideas, anyone?) In March 1955, noted Disciple Ronald Reagan, in town as a movie star and program supervisor for General Electric Theater, delivered a “layman’s witness” to the congregation.

Evolution of Church Polity and Doctrine. Theologically, the church and its prior inceptions represent the oldest Disciples of Christ church in the denomination (though other churches are older, they began under other denominational brands before taking the Disciples identity). The church can be linked through history to a founding in 1816.

In its early years, the church was a hotbed for the community’s temperance movement. The annual meetings of the Kentucky Women’s Christian Temperance Union met almost annually at Central. On the opposite corner from the church, Tom Lyons had to go to court against the church in order to open his saloon, though he ultimately succeeded in 1897. A 1911 sermon series on “Vital Church Discipline” including a message entitled “Excommunicate the unworthy” which “created a profound impression and caused much favorable comment.” Though taking harsh posititions in the early years, both Central (and Disciples, generally) ultimately have softened their tone with regard to alcohol (recognizing that, after all, Jesus’ first miracle was turning water into wine) and other matters. In 2011, Central was recognized as an Open & Affirming congregation, showing a grand shift in social thought from its former days as a hotbed of WCTU activity.

A deTour to Remember. Though I’ve attended services several times at Central, I knew little of its history until our Blue Grass Trust deTour of the venue in early April 2013. The senior minister since 1995, Dr. Michael Mooty, led an adventurous crew through the church’s old boiler room with the exposed foundation from the old Masonic temple. It was joked that a dusty old chair in the boiler room was the a strict form of discipline for those talking during Sunday school or during services; it would seem this to be less strict, however, than that proposed in the 1911 sermon on “Excommunication: Withdrawal from the Church of Unworthy Members” preached by Rev. I. J. Spencer.

  


Our adventure continued through a portal off the balcony into a small mechanical room where we discovered a ladder mounted to the wall. Up we climbed to a small landing next to the magnificent stained glass rose window of Jesus that is visible from Martin Luther King Blvd, but not from the church’s interior since the 1933 fire and reconfiguration.

Another long ladder, fixed at about 30-45°, took the most adventurous from the landing to the platforms that span above the sanctuary. Though the spaces were tight, the sense of construction and the sentiment of history was strong in this surprising elements to the deTour.

Shimmying to the area atop the sanctuary

An ajar light fixture above the sanctuary revealed the height from the ground below. Pictured through the opening in the light is the front pew of the church, upon which lay a few hymnals.

More photographs of Central Christian Church can be found on flickr.

Sources: Central Christian Church (DoC); Local.LexPubLib.org; NRHP; Ward Russell’s Church Life in the Bluegrass.


The Blue Grass Trust for Historic Preservation hosts a monthly deTour for young professionals (and the young-at-heart). On May 1, the group will meet at the Michler Florist on East Maxwell Street before visiting the Pope Villa. Join us on the first Wednesday of each month at 5:30 p.m. Learn more details about this exciting group on Facebook! You can also see Kaintuckeean write-ups on previous deTours by clicking here.

Mid-century foresight preserved Jessamine County’s Ebenezer Presbyterian Church

Ebenezer Presbyterian Church – Jessamine Co., Kentucky

According to the Christian Scriptures, “Samuel took a stone and set it up between Mizpah and Jeshanah. He named it Ebenezer, explaining, ‘The Lord helped us to this very point.'” 1 Samuel 7:12 (CEB). It was a moment where the people of Israel turned from disobedience and found restoration from God.

The name Ebenezer is found in words of the traditional hymn penned by Robert Robinson, Come Thou Fount of Every Blessing (1758):

Here I raise mine Ebenezer;
hither by thy help I’m come;
and I hope, by thy good pleasure,
safely to arrive at home.
Jesus sought me when a stranger,
wandering from the fold of God;
he, to rescue me from danger,
interposed his precious blood.

And Charles Dickens adopted the name for a character in his 1843 novel, A Christmas Story. True to the tale from the Bible, Ebenezer Scrooge turned from his greedy, tight-fisted ways as he begged for the opportunity to re-embrace life.

But a historic church in Jessamine County, Kentucky, also shares the name Ebenezer. Older than Dickens, but more recent than the words of the hymnist is the Ebenezer Associate Reformed Presbyterian Church. True to its name, Ebenezer Church was once abandoned and in great disrepair, but a group of individuals in the mid-1900s brought restoration to this old house of God.

Ebenezer Church & Cemetery

Ephraim January received from a young American government a land bounty of 1,000 acres. From this, he gifted in 1806 a small plat of land for the church and surrounding cemetery. By the time title to the land passed into the hands of the church, the stone church was already constructed. Orginally, the congregation met in a log meeting house since they were organized in the mid-1790s under the teaching of Lexington-based circuit rider Rev. Adam Rankin.

When Rankin formed Ebenezer, he had already begun a number of other Presbyterian congregations in central Kentucky, including Pisgah and Glenn’s Creek in Woodford County and Mount Zion (now First Presbyterian) in Fayette County. His earlier affiliations, however, were with the proper Presbyterian Church. And you will note above that Ebenezer was of the “Associate Reformed Presbyterian” variety.

The distinction is noted for Rankin had been removed from his posts within the Presbyterian church’s Transylvania Presbytery in 1792. The following year, Rankin began his ministry with the Associated Reformed church and soon thereafter founded Ebenezer. He would serve at Ebenezer until 1803. Rankin  was a disagreeable fellow (in 1789, he rode by horseback from Kentucky to Philadelphia to plead against the use of Isaac Watts’ hymns like ‘Joy to the World’ in services) which undoubtedly led to his rift with the denomination.

Ebenezer Church, ca. 1898 (15 years after abandonment)
Photo: History of Jess. Co., by B.H. Young.

After Rankin departed in 1803, the same year in which the stone church replaced the old log meeting house.  Ebenezer’s new minister, Rev. Robert Bishop, served from 1803 to 1814. Bishop also served on the faculty of Transylvania University in Lexington. A feud, of sorts, erupted between Rankin and Bishop over the years which ultimately resulted in Bishop leaving Ebenezer and Rankin being permanently suspended from the ministry in the Associated Reformed church. In 1824, Rev. Bishop would go on to serve as the first president of Miami University in Ohio.

Ebenezer Church, ca. 1910 (27 years after abandonment)
Photo: Published Sept. 2008 in H-L

A long series of itinerant ministers served Ebenezer until 1841 when Rev. Neal Gordon assumed leadership of the church until his death in 1870. Due to its remote location, the stone church then began to decline and was abandoned by 1883. After it was abandoned, the years took their effect on the old off-the-beaten-path church. The photos on the right show how years of abandonment took a great toll on this old church.

Ebenezer Church, ca. 1940 (57 years after abandonment)
Photo: Ebenezer Cemetery Assoc.

In 1922, the Ebenezer Cemetery Association was formed to care for, preserve, and maintain the church and grounds. At that time, the stone building had almost entirely collapsed. Wrote James Harvey Guyn, association president, in 1953: “[t]he walls had completely fallen, except for one corner. These were rebuilt, using the old stone, and a concrete floor was laid. A new roof, new pane glass windows, and wooden slat shutters were added, following the design of the old building as closely as possible.” Total cost to rebuild was $3,664.

According to the National Register of Historic Places application (listed in 1983), the Ebenezer Church is the “only surviving stone church in co[unty];  oldest religious structure in co[unty] dating from settlement period.”  Today, the property is owned by the Ebenezer Cemetery Association. Once a year, the organization meets for its annual meeting in the historic church.

Additional photos of the Ebenezer Church and Cemetery can be found on flickr.

Sources: Bishop Biography; Ebenezer Cemetery Assoc.; NRHP (Ebenezer); NRHP (First Presbyterian);  

The old Centenary Methodist Church is another fine example of Lexington’s ecclesiastical architecture

The old Centenary Methodist Church, ca. 1979
Photo: National Register file

former Centenary Methodist Church – Lexington, Ky.

Local historic preservationists recognize the year 1955. It was in that year that the John Wesley Hunt residence was razed and the Blue Grass Trust was formed. Nearby, a local church congregation made another decision which ultimately led toward historic preservation. Today, a step toward preservation is once again needed at 154 North Broadway. It is an important step, as the old church – along with others in the immediate area – comprise what is described in the National Register as “an outstanding group of downtown ecclesiastical structures.”

Organized in 1866, the Centenary Methodist Episcopal Church dedicated its sanctuary at 154 North Broadway on July 24, 1870. Designed by Cincinnatus Shryock, the Venetian Gothic church cost to $32,000 to erect. Other descriptions of the style include High Victorian Gothic and Northern Gothic. Labels aside, the sanctuary’s exterior is bounded with sloped buttresses. The belfry actually shrinks as it reaches toward the heavens on account of the acute gables that impose great character for the octagonal bell tower.

Sanctuary

As is often the case with churches, the historic newspaper archives at the public library prove quite informative. A March 1889 Sunday evening service was dismissed early “because of furnace smoking out audience.” The phraseology indicates that churchgoers to the church were accustomed to some smokiness, but that this Sunday it was too much to bare. Today, any smoke beyond incense would be cause to bring in the fire department!

Of course, this smoke could have caused damage which required repairs for, in either event, the church underwent “elegent improvements on the interior” later in the month with “lovely frescoe work.”

Another renovation in 1908 saw the installation of thirteen large windows – “five on each side and three in front [each] of beautiful art design add[ing] both to the interior and exterior beauty of the building.” These windows were installed at a cost of $1,000.

Charred timbers above the sanctuary.
Photo: Laryn Karsnitz

In 1923, a fire caused $15,000 damage to the structure evidence of which is visible from the belfry. Of course, the visible damage could also have been caused by other more recent fires. The author recalls firefighters responding to a fire above the chapel in recent years.

Oh, yes. 1955. In February 1955, “the fate of Lexington’s 90-year-old Centenary Methodist Church … will be decided within the next two months. … The church expects to either relocate, remodel its present building, or consolidate.” We know not what a remodel plan would have looked like, but it would be likely to have caused serious disruption to the Venetian Gothic structure standing at the northeast corner of Broadway and Church streets.

The congregation decided to consolidate with another church, Trinity Methodist Church with the consolidated church assuming the Centenary name but using the Trinity facilities on South Limestone (since demolished, Centenary relocated again in 1992 to Tates Creek Road). The merger was completed in May 1955 and the old Centenary Church was sold in October 1957 for $29,025.

The following year, another church – Everybody’s Church – purchased the old Centenary Methodist for $30,000. Everybody’s Church had previously worshipped at the downtown Ben Ali Theater since being founded in 1927 by the former minister of Maxwell Street Presbyterian, Rev. J. Archer Gray in an attempt to “reach ‘the man of the street.'” By 1998, Everybody’s Church had fallen on hard times and shuttered with the historic structure being purchased by Broadway Christian Church in 2003 for $25,000.

Today, the historic Centenary Methodist Church is again for sale. The listing and our recent deTour with the Blue Grass Trust revealed “incredibly preserved geometric style stained glass, flat level hardwood floors, [and] very high ceilings.” It is listed for $680,000 and the listing includes certain preservation-minded easements.

During the deTour (December 2012), the pipes of the organ were exercised once again filling this once-holy space. The space above the sanctuary reveals some charred timber evidencing the fires described above. But the space also reveals the building’s strength with some beams being appx. 18″ thick. And it A spacious, open chapel on the second floor behind the main church is ripe with potential.

Explore additional pictures of this beautiful Shryock-designed church by clicking here.

Sources: Downtown Building Inventory; Fayette PVA, Jim McKeighen, local.lexpublib.org, NRHP (Northside N.A.)


The Blue Grass Trust for Historic Preservation hosts a monthly deTour for young professionals (and the young-at-heart). The group meets on the first Wednesday of each month. Our February gathering will be at the Oldham House on South Limestone Street with an afterHour at Joe Bologna’s. Join us there at 6:30 p.m.; learn more details on Facebook! You can see Kaintuckeean write-ups on previous deTours by clicking here.

South Elkhorn: The Little Church with the Red Doors

South Elkhorn Christian Church – Lexington, Ky.

Under Moses, the Israelites left Egypt for the Wilderness to ultimately arrive at the “promised land” – one where they could practice their faith freely. History has a funny way of repeating itself, usually noted through the metaphors of a historian. George W. Ranck, in his 1891 Account of the Baptist Exodus from Virginia to Kentucky in 1781 employs a host of metaphors to describe the emotions felt by the old congregation of the Upper Spottsylvania (Baptist) Church in September 1781. With the use of a quote attributed to Daniel Boone, the churchgoers found their own “promised land” as “heaven must be a Kentucky of a place.”

Only a few decades ago, South Elkhorn Christian Church was a country church a few miles from Lexington. Today, it is located between several of southwest Lexington’s suburban enclaves. Surely, it is this transforming location that has allowed South Elkhorn to continue to grow in numbers while other “country churches” have either shrunk or closed. In 1973, church leadership purchased about ten acres of land adjacent to their two acre tract providing significant opportunities to grow for the congregation.

As noted above, the church originated as a Baptist congregation and it remained so until the early 1830s when a theological divide in the church surfaced leaving the remaining congregation as part of the ‘new’ Restoration Movement.

While other congregations in central Kentucky were not so lucky, South Elkhorn seemed to remain largely intact during the Civil War. According to Pope’s history, the church’s minutes “make no mention at all of the [Civil War] or its issues.” Silence is bliss?

After the war, the South Elkhorn Christian Church demolished its old meeting house and a new brick rectangular church was built at a cost of $4,000. This 1870 structure features two front doors opening into a high ceilinged room with a raised platform on the opposite end. Originally, the center pews were divided with a wooden barrier (women and children on one side, men on the other), but this division was removed in 1958. Baptisms (by immersion in both the Baptist and Restoration traditions) were originally conducted in the nearby creek until a baptismal was installed under the floor of the raised platform.

The names of members and ministers alike are recognizable to those familiar with local history. Elijah Craig. J.W. McGarvey. Alexander Campbell. Others I recognize, but identity confirmation is only by conjecture. Col. Meade. John Curd.

The history of South Elkhorn is incredibly rich, which lends its hand to the excellent histories for which it is the central topic. Ministers Ward Russell (1933) and Richard Pope (1983) both penned a history of the church, and the current minister, Mickey Anders, is presently compiling an updated third history. So more to come…

Cynthiana’s Church of the Advent

The native limestone façade of the Church of the Advent features a tower with pyramidal roof, steep gable-fronted nave with verge boards inspired by tracery, buttresses, triple lancet windows enclosed by stone pointed arch hood mold. This romantic Gothic Revival church, one of my favorites inspired me to look into a whole group of mid-nineteenth century churches associated with Kentucky’s first Episcopalian Bishop Benjamin Bosworth Smith.

The Church of the Advent was the first Gothic Revival Episcopal church built of stone in Kentucky. It was built beginning in 1855 when the cornerstone was laid and the tower was completed in spring 1860. The plan was said to be taken from a model made by Bishop Smith of St. Giles Parish Church at Stoke-Poges in England. St. Giles was famous as the setting for the poem, Elegy Written in a Country Churchyard by Thomas Gray. A comparison of the Church of the Advent with the actual St. Giles shows, however,t only faint similarities.

The Church of the Advent was one of a number of Gothic Revival Episcopal Churches built through the influence Kentucky’s first Episcopal Bishop, the Right Reverend Benjamin Bosworth Smith. The Gothic style was felt to be the only proper style for a church by Anglicans who were part of the Ecclesiological Movement or the Oxford Movement. This influenced Episcopalians in America to favor the Gothic Revival style for church-building. The style of churches built after Bishop Smith’s model was patterned after the Early English Gothic style of the 12th and 13th centuries which was simpler than the later phases of Gothic, the Perpendicular Gothic and Decorated Gothic styles. This made it adaptable to the small churches designed for Kentucky towns. These churches are reminiscent of English country parish churches, particularly those built of native limestone.

The tower features a Tudor arch doorway with a shouldered hood mold. A Tudor arch is a flattened pointed arch. The stonework for the lower part of the tower is uncoursed stone while the upper part of the tower completed later has the stone laid in courses. Buttresses support outer corners, tall slender single lancet windows are on each face of the upper tower and the cornice has stone corbels under a pyramidal roof.

The Episcopal congregation in Cynthiana was formed in 1835 by N. N. Cowgill, a layman who later was ordained by Bishop Smith in 1838. For several years the congregation did not have its own church meeting and held services in the Methodist, Presbyterian and Christian churches as well as in the courthouse. Two more priests would serve the congregation before Reverend Carter Page in 1850 who would be pastor during the construction of the church. The church cost $6,500 dollars to construct. The lot was purchased by Dr. George H. Perrin who paid for $5,500 of the cost with the remaining$1000 donated by William Thompson. Once the tower was completed the church was consecrated on May 19, 1860 by the Right Reverend (Bishop) Benjamin Bosworth Smith.

During the Civil War, the church would be used for a hospital for the wounded soldiers from the Battle of Cynthiana fought on June 11th and 12th, 1864.

The side porch of the Church of the Advent with trefoil motifs in the brackets and verge boards. Note how acute the angle of the gable is. In medieval Gothic churches the porch was usually enclosed or partly enclosed.


Interior of the Church of the Advent
The first thing you notice when you enter the church is the open beam ceiling featuring cross beams supported by arched beams springing from the side walls. Centered on the front and back walls are the triple lancet windows. On each side of the windows on the back wall are the Decalogue (Ten Commandments) and Apostle’s Creed, a common practice in 18th century Anglican churches of Virginia. The Apostle’s Creed uses an early version of the creed from the 1661 Book of Common Prayer rather than that from the 1789 Book of Common Prayer that was commonly used at the time.

An historic pump organ made in 1881 by H. Pilcher and Sons of Louisville is in the transept recess on the right. The organ was electrified in the 1950s.

The church had some minor redecoration in 1899 which included raising the chancel to a platform and adding a wood and cast iron railing separating the chancel from the nave. Lucy “Lutie” Tebbs and several other ladies carved the wood altarpiece and presented it to the church. It is said that she exhibited a large carved wooden pedestal at the Chicago World’s Fair.

 

 

 

The interior window openings are splayed and have original clear diamond-shaped panes. Lancet windows in the Early English Gothic style were usually in pairs or groups of threes. The wainscoting added in 1899 probably was unpainted in natural wood. The original pews have a jigsaw trefoil motif as finials on the top of each end.

I had a wonderful visit to Church of the Advent thanks to B. T. Darnell, Senior Warden. Besides the church stories she shared, she had fascinating stories to tell of her own property which was the site of Ruddle’s Station and the 1780 siege and massacre of settlers there by Captain Henry Byrd and his British and Indian troops during the American Revolution.

I hope to visit the other churches built during Bishop Smith’s tenure and report on them because they are each wonderful romantic churches. These include Holy Trinity Church, Georgetown (stone); St. Philip’s Church, Harrodsburg; Church of the Ascension, Frankfort; St. Paul’s Church, Shelbyville; St Paul’s Church, Pewee Valley (stone); St. Paul’s, Newport (stone). My next visit is to Holy Trinity Church in Georgetown.

Oldest Catholic Church in Eastern Kentucky

St. Therese Church – Heidelburg, Ky.

When considering the role of the Catholic Church in Kentucky outside the “golden triangle,” one immediately thinks of the central Kentucky region around Bardstown and Lebanon where many Catholics settled in the nineteenth century building a strong church and faith.

Original Church on Contrary Creek, ca. 1925

One, however, does not immediately think of the hills of eastern Kentucky. Although Catholic families can trace themselves to eastern Kentucky communities long before, it was not until 1927 that a Catholic church was established in eastern Kentucky. In Lee County’s Heidelburg community, four families established St. Therese at Contrary Creek “down in the holler.” Families worshipping there had as much as a two hour trek by foot to reach the small church by Contrary Creek.

In the 1940s, the decision was made to relocate the church onto the mountain above the holler. In 1948, the present wood frame clapped board church was constructed with its materials being reused from the old church on Contrary Creek. Its white siding and red roof are in stark contrast to the lush, green forest that surrounds it.

Regular services ceased in the 1990s and since 2001 the Catholic diocese of Lexington has designated St. Therese as an oratory, or house of prayer.

After recommendation by the Kentucky Heritage Council’s Preservation Review Board, the National Register of Historic Places included St. Therese Church into the register on February 28, 2012. With hope, this designation will enourage and promote preservation at this house of worship.

Sources: NRHP Application; Queen of All Sts. Parish
Photos: Ky. Heritage Council in the National Register Application

Forged by Fire: Ashland’s Calvary Church

Calvary Episcopal Church –
Ashland, Ky.

Thomas Underwood Dudley, the second Bishop of the Episcopal Diocese of Kentucky, emphasized growth among the Episcopal church among the populations in eastern Kentucky and among African Americans. Despite the segregationist views prevalent in his day (and his own background as a Confederate veteran), Bishop Dudley sought an integrated church: “God hath made of one blood all nations of men.”

Efforts to grow the Episcopal Church in eastern Kentucky included the first recorded service in Ashland being presided by Bishop Dudley on February 2, 1885. From that service, a mission was formed in the diocese and from this group grew the Calvary Church. In March 1887, the Rev. W. H Hampton was called as the first minister of the parish. On September 8, 1888, Bishop Dudley laid the cornerstone and Rev. Hampton preached the first sermon in the Calvary Church which opened on Easter Sunday, 1889 for a congregation of 300. Architectural notes are limited, but this structure was described as an “eclectic brick and shingle” church.

Growth continued in the Ashland church and throughout the diocese, which as divided in 1896 with the Ashland church joining the newly formed Diocese of Lexington. Several transitions occurred during this diocesan split including the transfer of the Ashland School for Girls to Versailles where it became the Margaret Hall Church School for Girls. Disappointed at losing the school, the parish rector also departed in May 1898.

On July 3, 1898, Calvary’s first rector – W. H. Hampton – returned from Ironton, Ohio to administer the Holy Communion. Eight days later, the darkest days in the church’s hour came when the church was destroyed by fire. Only a few furnishings were salvageable.

Remarkably, a new cornerstone was laid ten days later. In June 1903, the new church was dedicated by the Bishop Burton of the Lexington Diocese. The building, a brick and stone Gothic structure, dominates its corner at Winchester Avenue and 14th Street. With its three story tower, stonework, battlements, and lancet window, the church building is traditionally Episcopalian.

A brick parish hall was built immediately to the sanctuary’s northwest after a 1979 fire caused $1 million in damage to a building donated to the church in 1975. Another fire struck the church in 1982. Despite its setbacks, the church remains strong as it searches for its new rector.

“It is a beautiful church, inhabited by a charming and cultured people and set in the midst of delightful surroundings.”
             -H. P. Almon Abbott (1938)

Sources: Calvary Church; EpiscopalKY; Fiftieth Anniversary Church History (1938); Kentucky Historic Resources Inventory; NRHP Application (Ashland Commercial Historic District) Sunday Independent (11/16/1987). Special thanks to Marty Perry of the Kentucky Heritage Council and Lisa Pullem, the Convenor of Calvary’s Rector Search Committee, for their assistance in gathering the research for this post. 

Lexington’s History Encapsulated in First Presbyterian Church

First Presbyterian Church – Lexington, Ky.

Under an old Virginia law, the city or town acting as county seat could only have a church of the Anglican persuasion within her limits. Baptists, Methodists, Presbyterians and others located their houses of worship outside of the city limits in order to circumvent the establishment law.

In 1784 Virginia, the area known as Kentucky today remained part of Virginia. Lexington had already been established as the county seat of Fayette and thus the establishment law applied here as well. Circumventing it, the people of Mount Zion Presbyterian Church established their church home beyond the city limits on a 190-acre tract in the vicinity of today’s Agriculture Experimental Station at the University of Kentucky, near the corner of South Limestone and Huguelet.

Mt. Zion counted among its members some of Lexington’s most prominent eighteenth century names: Robert Patterson and John Maxwell. By 1792, a location closer to town was sought and found by the courthouse square at Cheapside. Yet it was the same convenience and centrality which brought the Presbyterian congregation to the center of town that took it away — the noise was just too great. So in 1808, the church again relocated to the corner of Broadway and Second streets where it constructed a temporary one-story meeting house.

First Presbyterian Church, later Broadway Christian
Photo: Louis Edward Nollau (KDL)

During an 1817 service at the old meeting house, two women visiting (but not having joined) First Presbyterian were struck and killed by lighting. The following week, another church’s minister proclaimed it a classic lesson in procrastination and urged quick heed.

Benjamin LaTrobe was contacted and consulted for the erection of a new house of worship. Plans were drawn, but the vision never completed. Instead, a two story brick church was built on the same location in 1857. When First Presbyterian (as the congregation had been remonikered) left Broadway in 1870, the incoming Broadway Christian Church took its place where the first sermon pronounced it to be the “first Christian sermon to be preached in this building.”

Organ at First Presbyterian – Lexington Ky.

Until the new church on Mill Street was completed in 1872, the First Presbyterian congregation met in the Melodeon Hall on Main Street.  Originally four bays deep, the First Presbyterian Church on Mill Street cost approximately $338,000 to construct. It is a beautiful construction in the Gothic style and it was designed by Cincinnatus Shryock. It prominently features an eighteen foot square, 180 foot tower/spire at Mill Street while its Market Street side was added on in 1897 to add a fifth bay as well as the wonderful Kimble organ. The organ pipes were recently discovered to have been originally stenciled and this design has been reincorporated.

First Presbyterian Church Sanctuary – Lexington, Ky.

The ten stained glass windows are each unique and were installed over a number of years following the 1897 addition. Money for these improvements came from pew rentals, while the loose plate offerings were used for incidentals and to aide the poor.

First Presbyterian Church

First Presbyterian (k/a Mt. Zion)’s first minister was Adam Rankin. A great speaker, but highly opinionated, Rankin shared his duties between the Lexington church and the Woodford County congregation as Pisgah.  Controversially, he withheld communion from parishioners who liked Isaac Watts’ paraphrased hymns (the lyrics paraphrased scripture). Ultimately, the Transylvania Presbytery removed Rankin from the pulpit.

Another noted minister was Rev. Robert J. Breckinridge who was known as the “Napoleon of the Pulpit.” Serving from 1847 to 1853, Breckinridge was known for his strong favor of education. For his views, Governor Owsley (a very pro-education governor) named him Kentucky’s first superintendent of public instruction.

The Civil War found a splintering First Presbyterian Church as its members loved the Union but wanted to keep their slaves. By the end of the war, however, the split couldn’t be avoided. The suspension of habeus corpus and emancipation caused a major rift in the congregation and the congregation of Second Presbyterian. From 1866 until the 1880s, each of the two churches had two separate congregations with separate ministers with each aligning with either the northern or southern wings of the Presbyterian church.

The two wings of the Presbyterian Church were reunited in 1968 and the church remains one of Lexington’s finest. The church’s duration and functions (e.g., John Cabell Breckinridge’s 1875 funeral) have witnessed nearly all of Lexington’s storied history.

ky360: First Presbyterian Church
Flickr Photo Album of First Presbyterian Church

Sources: deTour; First Pres. Church History; KDL; NPS; NRHP


The Bluegrass Trust for Historic Preservation hosts a monthly deTour for young professionals (and the young-at-heart) to a local historic site that has been well-preserved and restored – the group meets on the first Wednesday of each month at 5:30 p.m. Details are always available on Facebook! Our next meeting is Wednesday, April 4 where we will explore the North Limestone neighborhood! Join us by meeting at Al’s Bar!! You can see Kaintuckeean write-ups on previous deTours by clicking here.