Tag: deTour

West Sixth Brewing Company

Lexington’s newest brewery, West Sixth Brewing Company, is the flagship of The Bread Box which is a commercial redevelopment of the old Rainbo Bread Company building at Jefferson and Sixth Streets in the Northside Neighborhood. The oldest part of the building was constructd as the Holsum Bread Company in the 1890s. A series of renovations and hame changes (Honey-Krust, Rainbo) kept the bread factory going until it finally closed in the early 1990s.

The Breadbox, ca. 1919 (l) and 1940s (r). Photos courtesy West Sixth Brewing Company

Our tour occurred after a day of cooking beer – a seven hour process that will be followed by a couple weeks fermenting. Before long, the ancient recipe of water, grain, yeast, and hops will develop into one of the five craft brews produced at West Sixth: wheat, an IPA, an amber, a brown ale, and a stout are all excellent products worthy of more than a tasting. As Lexington’s mobile food truck develops, the location will be an excellent locale to get some tasty street food and a cold brew. Of course, there are other developments going on inside the Bread Box that will result in some other in-house food options.

Consider FoodChain – a non-profit fighting hunger and educating about urban indoor agricultural production. In a hands on way, they’ll be utilizing waste from the beer cooking process to feed the tanks of farm-raised tilapia. The CO2 produced by the tilapia will bubble up to the surface of the tanks where micro greens will grow. And, according to our tour guide, a local restauranteur will open later this year a walk-up fish restaurant using FoodChain product. I’m looking forward to some tasty fish-n-chips with my Sister Sue Stout.

Other groups calling the Bread Box home are Broke Spoke (a non-profit community bike shop), an artists’ cave, Cricket Press and the practice ring for the Roller Girls of Central Kentucky (ROCK). ROCK’s practice facility at 18,000 square feet is the largest room in the massive 90,000 square foot building.

The building’s scale, and some of its features, were exactly what the four guys who started it all wanted. Ben, Brady, Joe, and Robin wanted to start a brewery and searched Lexington for the right facility and found what the cavernous structure at West Sixth and Jefferson — already complete with a quality roof, fire code-satisfying sprinklers, a massive walk-in cooler and other features that would help expedite production. Production has moved along exceptionally fast and they are well ahead of expectations. Their IPA is a best seller and is the first canned craft beer in Kentucky – an accomplishment in scale since the minimum can order from the only vendor in the country is 100,000 units. The pallets, pictured at right, are only two of several scattered around the building. The can’s design is also acclaimed by Paste Magazine as one of the top craft brew labels in the country.

Adding to a growing beer scene in Lexington, the West Sixth Brewing Company is a welcome addition. The mission of its owners, culminating in The Bread Box, is also a huge boost for Lexington’s growing Northside. The area is destined to redevelop and hopefully other investors maintain the historic character that exists at 501 West Sixth.

Additional photos of The Bread Box and West Sixth Brewing Company are accessible on flickr. You really should check these out — the building is awesome!

The Bluegrass Trust for Historic Preservation hosts a monthly deTour for young professionals (and the young-at-heart) to a local historic site that has been well-preserved and restored – the group meets on the first Wednesday of each month at 5:30 p.m. Details are always available on Facebook! Our next meeting is Wednesday, June 6 where we will explore the historic Botherum on Madison Place in the Woodward Heights neighborhood! You can see Kaintuckeean write-ups on previous deTours by clicking here.

Henry Clay Law Office – Lexington, Ky.

Historic preservationists are often faced with a difficult question: which version of history should we preserve? A great illustration of this question exists on Lexington’s North Mill Street. The Henry Clay Law Office, which is the home of the Henry Clay Center for Statesmanship, is a one story brick building adjacent to First Presbyterian Church. Henry Clay had the building constructed in 1803 as his law firm while he and his wife, Lucretia, lived across the street.

The building served as Clay’s law office until September 1810. While there, Clay was elected to the successive terms in the Kentucky legislature from 1803 to 1809 and was twice named (1807 and 1810) to fill unexpired terms in the United States Senate. Clay, the “Great Compromiser,” continued to grow in stature and prestige after he left his Mill Street office.

Henry Clay Law Office, ca. 1934 Photo: J. Winston Coleman, Jr. Special Collection, Transylvania University

Despite its famous occupant, there is little architecturally significant about this small 22 by 20 foot structure. An 1830 addition encapsulated the little, old law office into a larger two-story structure but left intact the four walls, floorboards and chimney.

The building, circa 1830, is fairly historic in its own right even if it does envelops a structure twenty-seven years its senior? Preservationists in this case opted for the older structure which was tied to the building’s most important occupant.

In the late 1960s, the adjacent church owned the land and was prepared to raze the two-story structure when preservationists and the Commonwealth of Kentucky stepped in. Recognizing the historic value, the Commonwealth acquired the building and carefully demolished the 1830 exterior to uncover the good condition of the 1803 building. Through 1971, a detailed restoration took place that involved the turning of each exterior brick on the building. This was done because the clapboard siding once attached had damaged the brick’s then-exterior; now turned, the inside faces out and the building looks its original, 1803 self. Ultimately, the same church that once sought to demolish the building reacquired it and used it for various purposes before leasing it to the Center for Statesmanship.

Sources: Lex H-L; NPS; NRHP

The Bluegrass Trust for Historic Preservation hosts a monthly deTour for young professionals (and the young-at-heart). The group meets on the first Wednesday of each month at 5:30 p.m. Details are always available on Facebook! Our next meeting is Wednesday, May 2 where we will explore The Bread Box (501 W. Sixth St.)! Join us by meeting at West Sixth Brewing Company!! You can see Kaintuckeean write-ups on previous deTours by clicking here.

W. Short St. Campus, Sts. Peter & Paul Catholic School – Lexington, Ky.

Old meets new at the main campus of Sts. Peter & Paul School on Lexington’s West Short Street. The two story school at Saunier Avenue (formerly Sycamore Street) first opened in 1915. For seventy-three years, the St. Paul School met educational needs of the parish. Shrinking attendance, however, forced the diocese to close the school in 1988. A few years ago, a resurgence in numbers and a major renovation/expansion of the campus brought new life to the beautiful, historic school.

Sanborn Map (1907); Source: KDL

This two story classical revival building on West Short Street first rose from the ground in 1913. The cornerstone was laid on December 14, 1913 in a ceremony presided over by the Bishop of Covington, Right Rev. C. P. MaesIts brick facade is set back from West Short Street, leaving westward pedestrians (and at one time automobiles) with an undisrupted visual approach to the St. Paul’s church.

This visual approach was a positive change for the parish as the building previously had no set-back as can be seen on the 1907 Sanborn  insurance map of Lexington.

Am. Arch. & Architecture, v. 103

With seven bays atop a high foundation, the building is quite impressive. It was designed by L. K. Frankel, a professor of mechanical engineering at the State University (now the University of Kentucky) at a projected cost of $30,000. Frankel was also a State College alumnus who was underpaid by the College for his work as professor as acknowledged by State College President James Patterson in his annual report to the governor:

State College Annual Report to the Governor, 1903/04

It is clear that Frankel did stay at State College, for it was this project some ten years later which left his name forever etched into Lexington’s architectural landscape. A literal etching exists in the pediment above the West Short Street entrance: “St. Paul’s” with the Roman numerals for 1865 (the year of the church’s cornerstone, MDCCCLXV) and 1913 (the year of the school’s cornerstone, MCMXIII) on either side.

A parochial school, however, did exist on the site before the erection of St. Paul’s. In fact, St. Paul’s was preceded by St. John’s Male Academy which was begun by a Mr. Lamb in 1867. In 1887, the sisters of Charity of Nazareth took over the school and renamed it St. Paul’s. A late twentieth-century merger with neighboring parish school St. Peter’s created the Sts. Peter & Paul Catholic School.

Lucille Caudille Theatre

For many years, a utilitarian metal awning allowed weather-protected entrance into the parochial school. Fortunately, this awning was removed and the original lamps on either side of the West Short Street entrance were restored in the recent renovation. The renovation also included a major renovation with new classrooms. Many organizations and individuals stepped up to the plate so that this historic building could once again thrive: Knights of Columbus (gymnasium); Alltech (science labs); and the Lucille Caudille Little Foundation (theatre).

Today, nearly 500 students in grades one through eight learn in this modern environment that embraces its historic roots. First floor classrooms retained original hardwood flooring, tall ceilings and enormous windows. A cross in the hallway is made up of tiles painted with student self-portraits; the tiles themselves were from the church’s old baptistry. But even before the renovation, this wonderful institution was in 2006 properly recognized as a Blue Ribbon School.

For more photos from Sts. Peter and Paul, check out flickr.

St. Paul’s Catholic Church & Sts. Peter & Paul School – Lexington, Ky.

The Bluegrass Trust for Historic Preservation hosts a monthly deTour for young professionals (and the young-at-heart) to a local historic site that has been well-preserved and restored – the group meets on the first Wednesday of each month at 5:30 p.m. Details are always available on Facebook! Our next meeting is this Wednesday, February 1, 2011. Please join us outside the Lexington History Museum (the old courthouse) where we will have the opportunity to get a behind the scenes tour! Join us!! You can see Kaintuckeean write-ups on previous deTours by clicking here.

West Main Street (123; 119-115; 111-107; 105-101) – Lexington, Ky. (The Same Block in April 2010 and circa 1920)

Opposite Centrepasture has again become one of downtown Lexington’s grandest blocks. The block’s renaissance kicked off when Bellini’s opened in 2003. Its owners have restored the first floor of 115-119 West Main, a structure designed in the Italianate style by local architect Cincinnatus Shryock in 1869. This five-bay, three-story structure appears sufficient in height to be five stories. It is, however, its third floor ballroom that makes the structure so unique.

Surrounded on two-stories, the Shryock-designed building has beautiful round-top windows that allow an incredible amount of light onto the third floor ballroom. What is now a tremendous asset for Bellini’s, but the space is a reminder of the building’s original purpose. Atop is a French Second Empire Mansard roof that is incredibly unique for the region.

The building was built by the Odd Fellows fraternity and stands as a symbol of the optimism experienced in Lexington immediately following the Civil War when citizen’s concerns went from conflict to prosperity and the arts. And although the era provided Lexington with another opportunity to return to its former status as an Athens of the West, that train had already moved on to the larger cities. Still, Cincinnatus Shryock created a multi-use masterpiece. Wrote the Gazette: it was “one of the handsomest buildings in the state. The Odd Fellows retained the whole third floor … which has been subdivided so as to suit their purposes, clearing one large hall which has been fitted up most sumptuously and with exquisite taste!”

The first floor, marked by cast iron Corinthian columns, contained two separate storefronts flanking a stairwell to the upper levels. Law offices occupied the second floor and, as noted, the Odd Fellows Lodge the third. Today, the second floor is half vacant and half apartments with Bellini’s hoping for the opportunity to add additional “large party” space on the second floor. The eastern front, 115 West Main, once housed Skuller’s Jewelry for the better portion of the 20th century. Although Skuller’s closed in 1984, its name remains as inlaid tile hidden just below the mat outside the front door.

Skuller’s Clock, built by Pennsylvania’s Brown Street Clock Company, was removed as part of the Main Street beautification project with hopes of restoring it. At fourteen feet tall, the two-faced clocked atop a fluted iron column is a Lexington landmark in its own right. When it was removed last year, it was announced that the repair costs would be approximately $25,000. The clock remains mothballed, but to the left are pictures of how the streets cape has appeared over the years with the circa 1913 Skuller’s Clock.

Other buildings in this half of the West Main Street block (as pictured at top) are 123 West Main Street which had its façade completely restored to its 1920s appearance for the new nightclub, Trust. On the other side of Bellini’s is 107-111 West Main Street which also experienced a façade restoration in the past year. This building houses Sunrise Bakery and another Bellini’s banquet hall. At block’s end, 101-105 West Main Street has always maintained a unique façade with a fantastic terra cotta roof; it was announced earlier this week that the new owner, Dudley Webb, will restore this building as well.


This block of West Main Street contains a great concentration of historic buildings that together create a very interesting, wonderful streetscape with the Cincinnatus Shryock creation as its central masterpiece. 


Additional photos of the Blue Grass Trust deTour to Bellini’s are available on flickr. 

Sources: LHL; LHL; local.lexpublib.org; NRHP

Institute 193 – Lexington, Ky.

Over time, the various owners of the building at 193 North Limestone St. in Lexington rehabilitated the structure from its former self as as a bakery-turned-warehouse to become an art gallery. Today, Institute 193, www.institute193.org,  is a trampoline for local artists into larger markets. But the building has a long, yeasty history.

The building is of the Georgian Revival style, circa 1915, and is attributed to the Lexington architect Martin Geertz. It was originally home to “one of the best bakeries in the state” – operated by Mr. Muth (originally of Cincinnati). Before having this structure erected, Mr. Muth owned the Star Stream Bakery at 338 West Short Street.  It would seem that by 1925, Mr. Muth had retired as he then bought a 56 acre farm near Muir Station.

In Lexington’s competitive baking market, Muth’s facility would not sit idle for long. L.R. Drury’s bakery, a half block south at 148 North Limestone, had opened in 1914 as a small retail outlet emphasizing cakes and catering. Deliveries were made by bicycle. It was said that Drury’s was a “modern, high-class service bakery [where] modern machinery, best flour, butter and milk are used.” Filling the void left by Muth’s departure, Drury expands his operations to the southwest corner of Limestone and Second Streets. Cake and pastry operations remained at 148 North Limestone until 1930 when they were moved to 193 North Limestone bringing all of Drury’s baking operations under one roof. By the following year, Drury had “eight automobile trucks” delivering baked goods around central Kentucky. [*]

Institute 193’s gallery is perfectly designed to host a solo show. An intimate space, its white walls are plain but the historic feel of the building with its punched tin ceiling give the room texture.

The work of Mike Goodlett, currently on display, evokes a visceral response. Trained in Cincinnati, this Wilmore artist uses a variety of mediums to separately reveal the fetishes of sexuality and cigarettes.

Our Blue Grass Trust deTour also explored the winding labyrinth of rooms that make up the underbelly of this and other adjoining buildings, including the restaurant le Deauville. Part of a Duhrkop Baking Company oven is still in the building’s basement. Duhrkop, a New York company founded in 1887, was a leading oven manufacturer for bakeries around the country with its first installation at the Fleishchmann Bread Company. These rarely explored rooms are a glimpse into a forgotten past.

Additional photographs of Institute 193 and the building can be viewed on flickr.

The Tomb of Constantine Rafinesque – Lexington, Ky.

No, it is not Dracula. Although Bram Stoker may be impressed with the story of the man entombed under Transylvania University’s Old Morrison.

Born in Constantinople (modern day Istanbul, Turkey) in 1783, Constantine Rafinesque immigrated to the United States in 1802. Here, he met a number of young botanists and began to collect his specimens. In 1804, while travelling in the Virginia-Maryland area he met President Jefferson. It was suggested, but never realized, that Rafinesque should join Lewis and Clark on their famed expedition. Whether he was rejected or declined an offer, Rafinesque returned to Europe with his specimens and settled in Palermo, Sicily.

In 1815, he returned to the United States and continued to work diligently in the fields of biology and zoology. He came to the Athens of the West (Lexington) and its famed institution (Transylvania) as a professor of botany in 1819. Throughout his career, Rafinesque published the binomial names of over 6,700 species of flora and fauna, but he was never recognized during his life for his work. Perhaps it was because he was a little too eccentric for anyone’s taste.

On one occasion, Rafinesque stayed at the home of French-American ornithologist (bird guy) J. J. Audubon famed for his detailed color illustrations of birds in North America. In his room was Audubon’s prized violin and a live bat which Rafinesque did not recognize, so Raf swung and destroyed the violin in an attempt to seize the bat for his specimen collection. To thank him for destroying the violin, Audubon later gave his guest a beautiful color illustration of a gigantic fish which swims in the Ohio River. Rafinesque wrote and published a paper on this eight-foot-plus beast only to thereafter discover Aubudon’s joke. Needless to say, the two were not close.

As a professor, Rafinesque was more likely to skip class than were his pupils. He used the time to take nature walks. It is believed, but not confirmed, that Rafinesque also was quite friendly (perhaps a little too friendly) with the wife of college president Horace Holley. Further, Rafinesque (a Unitarian in faith) did not endear himself to the more conservative faiths and faithful of Kentucky.

So, whatever the reason in particular, Rafinesque was forced out of Transylvania in 1826. Upon his departure, however, he left a curse on both president Holley and Transylvania itself: “Damn thee and thy school as I place curses on you.” (or something to that effect).

As with curses, they always come true. The following year, Holley was himself forced out from the college whereupon he and his wife set out to teach in Louisiana. But he caught yellow fever and died. Transylvania’s main building (then within what is today Gratz Park) burned within two years of the curse. And Old Morrison itself suffered from extensive fire damage in 1969.

Rafinesque returned to Philadelphia after being relieved of his professorship and continued his work until his death from cancer in 1840. Without a church home, Rafinesque was buried in Ronaldson’s Cemetery at 9th and Bainbridge in Philadelphia. Ronaldson created his cemetery for travelers and others in Philadelphia who could not, without membership, be buried in a local church cemetery, but who would not be relegated to the public pauper’s field. Even so, up to six bodies would share the same space at Robertson’s and over time, the area became part of Philly’s slums (today it is quite regentrified).

But when Robertson’s Cemetery was to be destroyed in the 1920s, a group of Transylvanians came to recover the body of the old professor with the hope that the curse would end. And so his body was removed from its grave, brought to the campus of Transylvania University, and re-interred in a small crypt under the steps of Old Morrison.

At least, we think it was Rafinesque.

additional photos on flickr